
The Devils
In a world on the brink of war, the paths of three unlikely men collide. Logen Ninefingers is a notorious barbarian desperate to turn his back on a life of death. Inquisitor Glokta is a crippled, cynical torturer navigating deadly political schemes. Captain Jezal dan Luthar is a selfish nobleman who wants nothing more than to win a fencing tournament. Brought together by a mysterious old wizard, these flawed men are thrust into a conflict that will challenge their very notions of heroism and survival. It's a gritty, darkly witty, and character-driven fantasy masterpiece.
Buy the book on AmazonHighlighting Quotes
- 1. Say one thing for Logen Ninefingers, say he's a survivor.
Plot Summary
Setting the Stage: A World in Turmoil
"The Devils" unfolds in Abercrombie's signature gritty fantasy world, where moral ambiguity reigns supreme and heroes are scarce. The story takes place during a period of political upheaval, where the old order is crumbling and ambitious individuals scramble for power among the ruins. The narrative centers around several interconnected storylines that weave together themes of corruption, survival, and the price of ambition in a world where traditional notions of good and evil have been thoroughly muddied.
The book opens with the aftermath of a devastating conflict that has left the political landscape fractured and unstable. Various factions vie for control, each believing their cause to be just while employing increasingly questionable methods to achieve their goals. Abercrombie masterfully establishes this chaotic environment through the eyes of his morally complex protagonists, each struggling with their own demons while navigating the treacherous waters of political intrigue.
The author's world-building shines through detailed descriptions of war-torn cities, where the wealthy insulate themselves in luxury while the poor suffer the consequences of their leaders' ambitions. This stark contrast between classes serves as a constant backdrop to the unfolding drama, highlighting the systemic inequalities that fuel much of the conflict throughout the narrative.
"In times like these, the only difference between a hero and a villain is who's telling the story."
This opening section establishes Abercrombie's trademark cynical tone while introducing readers to a world where survival often requires compromising one's principles. The author skillfully uses this chaotic setting to explore deeper themes about human nature, power, and the corrupting influence of desperation.
The Convergence of Broken Souls
As the story progresses, Abercrombie introduces his ensemble cast of deeply flawed characters, each carrying their own burdens and pursuing their own agenda. The narrative follows several parallel storylines that gradually converge as the characters' fates become increasingly intertwined. Among the key figures is a disgraced former soldier haunted by past atrocities, seeking some form of redemption in a world that offers little forgiveness.
Another central character emerges as a cunning political operative who has mastered the art of manipulation, using others' weaknesses to advance their own position while struggling with the emptiness that such a life brings. Their journey throughout the book serves as a meditation on the cost of ambition and the hollow nature of power gained through deception.
The story also features a reluctant leader thrust into a position of authority during the crisis, forced to make impossible decisions that will determine the fate of thousands. This character's arc explores the burden of leadership and the moral compromises required to maintain order in chaotic times. Abercrombie uses this storyline to examine how good intentions can lead to terrible consequences when filtered through the machinery of power.
A particularly compelling subplot involves a group of outcasts and criminals who find themselves caught between larger forces, their survival dependent on their ability to adapt and exploit the chaos around them. Through these characters, Abercrombie explores themes of loyalty, betrayal, and the bonds that form between individuals who exist on society's margins.
"We're all monsters, some of us just wear prettier masks."
The convergence of these storylines creates a rich tapestry of interconnected narratives that showcase Abercrombie's skill at juggling multiple character arcs while maintaining narrative coherence. Each character's journey illuminates different aspects of the central themes, creating a comprehensive exploration of moral ambiguity in times of crisis.
The Crucible of Conflict
The middle section of "The Devils" intensifies the pressure on all characters as their individual struggles coalesce into larger conflicts that threaten to tear apart what remains of civilized society. Abercrombie ratchets up the tension through a series of escalating confrontations that force each character to confront their deepest fears and strongest convictions.
A major plot development involves a conspiracy that threatens to overthrow the existing power structure, drawing all the main characters into a web of intrigue that tests their loyalties and principles. The author skillfully uses this conspiracy as a vehicle to explore how desperation can drive even good people to terrible acts, while also examining the seductive nature of power and revenge.
The disgraced soldier finds themselves at the center of a moral dilemma that forces them to choose between personal redemption and the greater good. Their decision-making process provides insight into the complex psychology of someone trying to atone for past sins while facing new moral challenges. Abercrombie uses this character's struggle to question whether true redemption is possible or if we are all ultimately prisoners of our past actions.
Meanwhile, the political operative discovers that their carefully constructed web of manipulation is beginning to unravel, forcing them to confront the consequences of their actions and the emptiness of their achievements. This storyline serves as a cautionary tale about the isolating nature of power gained through deception and the difficulty of forming genuine human connections when trust has been systematically eroded.
"The road to hell isn't paved with good intentions. It's paved with the skulls of those who believed their cause justified any means."
These converging plotlines create a powder keg of tension that builds throughout the middle section, as Abercrombie expertly manipulates reader expectations and sympathies. The author's skill lies in making even the most morally questionable characters sympathetic while never excusing their actions or glossing over the consequences of their choices.
The Price of Survival
The climactic section of "The Devils" brings all storylines to a devastating crescendo as the characters face the ultimate consequences of their choices and actions. Abercrombie delivers a finale that is both shocking and inevitable, staying true to the book's themes while providing a satisfying conclusion to the various character arcs.
The conspiracy reaches its boiling point in a series of betrayals and revelations that shatter existing alliances and force characters to confront uncomfortable truths about themselves and their world. The disgraced soldier's quest for redemption reaches a critical juncture where they must choose between personal salvation and sacrificing themselves for others, leading to a powerful exploration of what true heroism means in a morally complex world.
The political operative's carefully constructed world collapses as their manipulations finally catch up with them, resulting in a reckoning that forces them to confront the human cost of their ambition. This storyline culminates in a powerful meditation on accountability and the impossibility of escaping the consequences of one's actions, no matter how cleverly one tries to manipulate the system.
The reluctant leader faces their greatest test as the weight of their decisions comes to bear on the people they are trying to protect. Their storyline explores the tragic nature of leadership in impossible circumstances and questions whether good intentions can ever justify the terrible costs of maintaining power.
The group of outcasts finds their bonds tested to the breaking point as survival becomes increasingly difficult and the temptation to betray each other grows stronger. Their story serves as a microcosm of the larger themes, showing how crisis reveals both the best and worst aspects of human nature.
"In the end, we're all just trying to survive another day. The only question is what we're willing to sacrifice to do it."
Abercrombie's conclusion refuses to provide easy answers or comfortable resolutions, instead offering a realistic portrayal of how people adapt and survive in a world where traditional moral frameworks have collapsed. The ending serves as both a culmination of the characters' journeys and a broader statement about the nature of humanity when stripped of civilizing influences.
Character Analysis
Captain Monza Murcatto - The Snake of Talins
Monza Murcatto stands as one of Abercrombie's most compelling protagonists, embodying the author's signature moral ambiguity while driving the narrative's central revenge plot. Known as the Snake of Talins, Monza begins the novel as a highly successful mercenary captain whose tactical brilliance has made her indispensable to Grand Duke Orso of Talins. However, her very success becomes her downfall when political machinations lead to her betrayal and attempted assassination.
What makes Monza fascinating is her transformation throughout the novel. Initially presented as a pragmatic soldier focused on victory and profit, the assassination attempt fundamentally changes her character. The physical trauma she endures〞particularly her mangled hand〞serves as a constant reminder of her vulnerability and mortality. This injury becomes symbolic of her entire journey, representing both her limitations and her determination to overcome them.
"Revenge is like a poison. It can take over a man's mind and soul, and make him do things he never thought he would do."
Monza's pursuit of revenge reveals the complexity of her moral compass. While her quest appears justified given the betrayal she suffered, Abercrombie carefully demonstrates how vengeance corrupts even the most righteous causes. Her willingness to employ increasingly violent and morally questionable methods〞including hiring the notorious torturer Friendly and the poisoner Morveer〞shows how the desire for retribution can lead one down a dark path.
Perhaps most significantly, Monza's character arc challenges traditional notions of heroism. She is neither purely good nor evil, but rather a deeply flawed individual whose actions have far-reaching consequences. Her intelligence and strategic thinking make her an effective leader, but her single-minded focus on revenge often blinds her to the collateral damage she causes. By the novel's end, Monza must confront the reality that her quest for justice has perpetuated the very cycle of violence she initially sought to escape.
Shivers - The Evolving Northman
Shivers represents one of Abercrombie's most dramatic character transformations, serving as both Monza's protector and a mirror reflecting the novel's themes about the corrupting nature of violence. Beginning as a relatively idealistic Northman seeking to better himself in the South, Shivers embodies the hope that people can change for the better. His initial motivation〞to become "a better man"〞sets him apart from the cynical characters that typically populate Abercrombie's world.
The relationship between Shivers and Monza forms the emotional core of the novel. Initially hired as her bodyguard, Shivers develops genuine feelings for Monza that complicate his role in her revenge plot. His loyalty stems not just from professional obligation but from a deep personal connection that he struggles to reconcile with the increasingly violent path they travel together.
The most pivotal moment in Shivers' character development occurs when he loses his eye during their adventures. This physical disfigurement marks a psychological turning point, transforming him from an optimistic young man into someone harder and more cynical. The eye patch he subsequently wears becomes a visual symbol of how violence changes people, marking not just his body but his soul.
"I came here to be better. But this place... it don't make you better. It makes you like everyone else."
Shivers' gradual transformation throughout the novel serves as a cautionary tale about the environment's influence on character. The corruption and violence of Styria slowly erode his noble intentions, demonstrating Abercrombie's belief that circumstances often shape people more than their inherent nature. His increasing willingness to use violence and his growing cynicism about human nature reflect the novel's broader themes about the impossibility of escaping cycles of violence.
By the novel's conclusion, Shivers has become something he never intended to be〞a man shaped by violence and betrayal. His character arc serves as a counterpoint to the idea that people can fundamentally change their nature, suggesting instead that environment and circumstance are often more powerful than individual will.
Castor Morveer - The Gentleman Poisoner
Castor Morveer provides both comic relief and philosophical depth to the narrative, embodying Abercrombie's talent for creating memorable secondary characters. As a professional poisoner who takes pride in his craft, Morveer represents the novel's exploration of how people rationalize violence and evil actions. His elaborate mannerisms, verbose speech patterns, and obsession with etiquette create a darkly humorous contrast with his deadly profession.
Morveer's character serves as a study in self-deception and rationalization. He consistently presents himself as a gentleman and professional, refusing to acknowledge the moral implications of his work. His elaborate codes of conduct and fastidious attention to proper procedure create an absurd veneer of respectability over fundamentally evil actions. This disconnect between his self-perception and reality provides insight into how people justify terrible behavior to themselves.
The relationship between Morveer and his assistant Day-Tul reveals another layer of his character. His apparent affection for her〞combined with his complete disregard for her well-being when it conflicts with his professional interests〞demonstrates the shallow nature of his emotional connections. Morveer's inability to form genuine human relationships reflects his fundamental disconnection from normal moral considerations.
"I am a craftsman, you understand? An artist. There is a right way to do these things, and a wrong way."
Morveer's obsession with methodology and procedure serves as both character trait and thematic element. His belief that proper technique can somehow sanitize murder reflects a broader human tendency to focus on form over substance when confronting moral questions. His elaborate preparations and careful attention to detail become ways of avoiding the reality of what he actually does for a living.
Throughout the novel, Morveer's character provides a darkly comic perspective on the other characters' moral struggles. While Monza and Shivers grapple with the ethics of their actions, Morveer has constructed an elaborate intellectual framework that allows him to avoid such considerations entirely. His character ultimately serves as a warning about the dangers of intellectualizing evil and the human capacity for self-deception.
Nicomo Cosca - The Infamous Mercenary
Nicomo Cosca represents perhaps the most morally complex character in the novel, embodying both charismatic leadership and complete moral bankruptcy. As the famous captain-general of the Thousand Swords mercenary company, Cosca has built a reputation that far exceeds his actual capabilities. His character serves as an exploration of how legend and reality can diverge, and how personal charm can mask fundamental character flaws.
Cosca's relationship with alcohol and drugs provides insight into his character's deeper issues. His constant intoxication serves not just as comic relief but as a coping mechanism for someone who has committed countless atrocities throughout his career. His addictions represent an attempt to escape the reality of his actions and the emptiness of his existence. Despite his outward confidence and bravado, Cosca's substance abuse reveals a man trying to flee from himself.
The contrast between Cosca's reputation and his actual performance throughout the novel highlights Abercrombie's theme about the difference between legend and reality. While stories portray him as a brilliant military commander and charismatic leader, the novel reveals him to be largely incompetent, cowardly, and motivated primarily by self-interest. His ability to maintain his reputation despite his failures speaks to the power of narrative and self-promotion over actual achievement.
"Truly, there are few things more beautiful than a good lie, well told."
Cosca's interactions with other characters reveal his manipulative nature and complete lack of genuine loyalty. He betrays allies without hesitation when it serves his interests, yet maintains an air of wounded innocence when confronted with his duplicity. His ability to rationalize any action and his complete absence of genuine remorse make him both fascinating and reprehensible.
Perhaps most significantly, Cosca serves as a dark mirror for the other characters' potential futures. His career as a mercenary shows what Monza might become if she continues down her current path, while his moral bankruptcy demonstrates the end result of a life lived without ethical constraints. His character serves as both cautionary tale and representation of the corruption that pervades the world of the novel.
Themes and Literary Devices
The Corrupting Nature of Power
One of the most prominent themes in "The Devils" is the corrupting influence of power and how it transforms individuals regardless of their initial intentions. Abercrombie masterfully illustrates this through the character arc of Leo dan Brock, who begins as an idealistic young nobleman seeking glory and justice but gradually becomes consumed by ambition and the intoxicating allure of authority. The transformation is subtle yet devastating, showing how power doesn't simply corrupt those who are inherently evil, but can twist even well-meaning individuals into something unrecognizable.
The theme is further explored through the political machinations surrounding the rebellion in Styria. Characters who initially fight for noble causes〞freedom from oppression, justice for the common people〞find themselves making increasingly morally questionable decisions to maintain their positions. Abercrombie demonstrates that power creates its own momentum, forcing those who wield it to make compromises that gradually erode their moral foundations. The author uses this theme to critique not just individual corruption, but systemic issues within hierarchical societies where power is concentrated in the hands of the few.
"Power is a fine thing, but it comes with a price. The question is whether you're willing to pay it, and whether you'll recognize yourself when the bill comes due."
Through various characters' journeys, Abercrombie shows that the desire for power often begins with seemingly justifiable motivations〞protecting loved ones, fighting injustice, or creating a better world. However, the means required to obtain and maintain power inevitably compromise these noble ends. The novel suggests that power is inherently corrupting not because it attracts evil people, but because it demands moral flexibility that gradually becomes moral bankruptcy. This theme resonates throughout the narrative, creating a dark but realistic portrayal of political and personal ambition.
The Futility of War and Violence
Abercrombie's treatment of war in "The Devils" is notably unglamorous and brutal, deliberately subverting romantic notions of warfare and heroism. The novel presents war as a chaotic, senseless endeavor that destroys everything it touches, regardless of the righteousness of the cause. Through graphic depictions of battle scenes and their aftermath, the author strips away any veneer of glory or honor traditionally associated with military conflict. The violence is portrayed as random, devastating, and ultimately futile, leaving scars on both the landscape and the human psyche.
The theme is embodied in the experiences of various soldiers and commanders who enter conflicts with clear objectives but find themselves trapped in an endless cycle of violence that serves no meaningful purpose. Characters discover that wars begun for specific, limited goals quickly spiral beyond anyone's control, consuming resources, lives, and moral clarity. Abercrombie shows how the machinery of war becomes self-perpetuating, creating new grievances and conflicts even as it purports to resolve old ones.
The author employs stark contrasts between the strategic discussions of generals and the brutal reality experienced by common soldiers. While leaders debate tactics and territorial gains in comfortable war rooms, foot soldiers face the horrific reality of combat〞death, mutilation, and psychological trauma. This juxtaposition highlights the disconnect between those who make decisions about war and those who suffer its consequences. The novel suggests that war's true cost cannot be measured in terms of territory gained or political objectives achieved, but in the human suffering it inevitably produces.
"They talk of honor in war, but honor is the first casualty when the steel starts singing."
Through this theme, Abercrombie challenges readers to question not just specific conflicts but the entire cultural apparatus that glorifies warfare. The novel demonstrates how societies construct myths around war and heroism that obscure its true nature, making it easier for future generations to repeat the same mistakes. The futility theme extends beyond physical violence to encompass the emotional and psychological damage that reverberates through families and communities long after the fighting has ended.
Moral Ambiguity and the Absence of True Heroes
Perhaps the most distinctive aspect of Abercrombie's work is his commitment to moral ambiguity, and "The Devils" exemplifies this approach through its complex characterizations and ethically gray situations. The novel deliberately avoids clear distinctions between heroes and villains, instead presenting characters whose motivations are understandable even when their actions are reprehensible. This moral complexity reflects a more realistic view of human nature, acknowledging that people are capable of both great kindness and terrible cruelty, often within the same individual.
The author achieves this ambiguity through careful character development that reveals the underlying humanity in even the most despicable characters while simultaneously exposing the flaws and darker impulses of seemingly admirable ones. Characters make decisions based on fear, love, ambition, desperation, or pragmatism rather than clear moral principles. This approach forces readers to grapple with uncomfortable questions about justice, loyalty, and the nature of good and evil, rather than providing easy moral certainties.
Abercrombie's rejection of traditional heroism extends to his treatment of redemption and punishment. Characters don't receive comeuppance or salvation based on their moral worth; instead, consequences are distributed according to the cruel logic of politics, economics, and chance. This creates a world that feels authentic and unpredictable, where virtue is not automatically rewarded and villainy doesn't guarantee downfall. The absence of clear moral authority in the narrative mirrors the confusion and complexity of real-world ethical decisions.
The theme is reinforced through the novel's structure, which presents multiple perspectives on the same events, showing how circumstances and personal bias shape moral judgments. What appears heroic from one character's viewpoint may seem villainous from another's, highlighting the subjective nature of moral evaluation. This technique encourages readers to develop their own ethical frameworks rather than relying on authorial guidance or conventional moral categories.
Irony and Dark Humor as Narrative Tools
Abercrombie employs irony and dark humor as central literary devices, using them not merely for entertainment but as sophisticated tools for social criticism and character development. The author's ironic voice permeates the narrative, highlighting the gap between characters' self-perceptions and reality, between their stated ideals and actual behavior, and between their grand ambitions and mundane achievements. This ironic perspective creates a sense of tragic comedy that makes the novel's darker themes more palatable while simultaneously intensifying their impact.
The dark humor in "The Devils" often emerges from the recognition of human folly and pretension. Characters who take themselves extremely seriously are frequently revealed to be buffoons, while those who appear crude or simple often demonstrate unexpected wisdom or competence. This inversion of expectations serves to deflate pompous authority figures and social conventions, suggesting that much of what society treats as sacred or serious is actually absurd or meaningless.
"The more seriously a man takes himself, the more likely he is to do something truly stupid."
Abercrombie's use of irony extends to plot structure and character arcs, where outcomes frequently contradict expectations in ways that illuminate deeper truths about human nature and society. Characters who pursue noble goals through ignoble means find their victories hollow, while those who embrace their flawed nature sometimes achieve a kind of honest success. This ironic framework prevents the novel from becoming either naively optimistic or relentlessly pessimistic, instead maintaining a complex perspective that acknowledges both human potential and human limitation.
The author's humor also serves as a coping mechanism for characters dealing with trauma and moral compromise. Gallows humor becomes a way of maintaining sanity in an insane world, allowing characters to acknowledge horror without being completely overwhelmed by it. This realistic portrayal of how people actually respond to extreme stress adds authenticity to the narrative while providing moments of levity that make the darker elements more bearable for readers.
Symbolism and Metaphor
Abercrombie weaves rich symbolic elements throughout "The Devils," using metaphor and symbolism to reinforce themes and create deeper layers of meaning. The title itself functions as a multifaceted symbol, referring not only to literal devils or supernatural entities but to the metaphorical devils that emerge from human nature when circumstances strip away civilized restraints. The concept of devils serves as a metaphor for the dark impulses that exist within all people, waiting to be unleashed by war, power, or desperation.
Weather and landscape function as important symbolic elements, often reflecting the internal states of characters or the moral climate of particular scenes. Storms frequently accompany moments of violence or moral crisis, while barren or devastated landscapes mirror the spiritual desolation of characters who have lost their way. The author uses these environmental details not just as atmospheric enhancement but as external manifestations of internal conflicts and societal decay.
The recurring motif of masks and disguises serves as a powerful metaphor for the false faces people present to the world and to themselves. Characters literally and figuratively wear masks, hiding their true natures behind roles they play for political or social advantage. The gradual removal or slippage of these masks throughout the narrative reveals the authentic selves beneath, often to disturbing effect. This symbolic framework reinforces the theme of moral ambiguity by suggesting that everyone harbors hidden aspects of their personality.
Religious and mythological symbolism appears throughout the novel, often in corrupted or inverted forms that highlight the degradation of traditional values and beliefs. Sacred symbols are used for profane purposes, religious language is employed to justify violence, and mythic narratives are twisted to serve political ends. This symbolic corruption reflects the broader theme of how noble ideals become perverted when filtered through human institutions and individual ambitions.
Critical Analysis
Narrative Structure and Pacing
Abercrombie's approach to narrative structure in "The Devils" demonstrates his mastery of the grimdark fantasy genre while pushing its boundaries in innovative ways. The novel employs a multi-perspective narrative that shifts between key characters, each offering distinct voices and moral viewpoints that collectively build a complex tapestry of human nature under extreme circumstances. Unlike traditional fantasy epics that follow a clear hero's journey, Abercrombie deliberately fragments the narrative to reflect the chaotic and morally ambiguous world his characters inhabit.
The pacing alternates between intense action sequences and contemplative character moments, creating a rhythm that mirrors the unpredictable nature of war and political intrigue. Abercrombie's decision to intersperse brutal battle scenes with quieter, introspective passages allows readers to fully absorb the emotional and psychological impact of violence rather than becoming desensitized to it. This structural choice reinforces one of the novel's central themes: that violence has lasting consequences that extend far beyond the immediate physical damage.
The author's use of foreshadowing is particularly sophisticated, with seemingly minor details in early chapters gaining significant importance as the story progresses. This technique rewards careful readers while maintaining the element of surprise for those reading more casually. The narrative structure also reflects the cyclical nature of violence and revenge that permeates the story, with events echoing and building upon each other in ways that feel both inevitable and tragic.
"The past is a weight that grows heavier with each step forward, until even the strongest backs must break beneath it."
Abercrombie's handling of time within the narrative is equally noteworthy. He compresses certain periods to create urgency while stretching others to allow for character development and world-building. This manipulation of temporal flow serves to emphasize the psychological states of his characters and the varying intensity of their experiences.
Character Development and Moral Ambiguity
Perhaps the most striking aspect of "The Devils" is Abercrombie's commitment to creating characters who exist in moral grey areas, refusing to provide readers with clear-cut heroes or villains. Each major character possesses both admirable qualities and significant flaws, making it impossible to categorize them simply as "good" or "evil." This approach challenges readers to engage more deeply with the text and question their own moral assumptions.
The protagonist's journey exemplifies this moral complexity. Rather than following a traditional character arc toward redemption or heroism, the character experiences a more realistic psychological evolution marked by setbacks, moral compromises, and moments of genuine growth alongside instances of moral failure. Abercrombie refuses to provide easy answers about whether people can truly change or whether they are fundamentally bound by their nature and circumstances.
Supporting characters are equally well-developed, each possessing distinct motivations and backstories that inform their actions throughout the novel. Abercrombie avoids the trap of creating one-dimensional antagonists by ensuring that even the most despicable characters have understandable, if not sympathetic, reasons for their behavior. This approach creates a more realistic and unsettling reading experience, as it mirrors the complexity of real-world conflicts where all parties believe themselves to be justified.
"Every man is the hero of his own story, and every story has its villains. The trick is remembering that someone else might be writing yours."
The relationships between characters evolve organically throughout the narrative, with alliances shifting based on changing circumstances rather than fixed loyalties. This dynamic creates tension and unpredictability while exploring themes of trust, betrayal, and the pragmatic nature of survival in harsh circumstances. Abercrombie's characters make decisions based on incomplete information and personal biases, leading to consequences that feel both surprising and inevitable in retrospect.
Themes of Power and Corruption
Central to "The Devils" is an unflinching examination of how power corrupts and how the pursuit of power often destroys the very things it claims to protect. Abercrombie explores this theme through multiple lenses, from the personal corruption of individual characters to the systemic corruption of institutions and societies. The novel suggests that power is inherently corrupting not because of any mystical influence, but because it creates conditions where moral compromise becomes not just tempting but seemingly necessary.
The political intrigue woven throughout the narrative serves as a vehicle for exploring how those in power maintain their positions through manipulation, violence, and the exploitation of others' fears and desires. Abercrombie demonstrates how political systems can become self-perpetuating machines that consume both those who operate them and those they claim to serve. The cyclical nature of political violence in the novel reflects real-world patterns of conflict and oppression.
Religious and secular authority figures in the novel are portrayed with equal skepticism, suggesting that the corruption of power transcends any particular institutional form. The author explores how ideological certainty can become a form of blindness that enables atrocities to be committed in the name of higher purposes. This theme is particularly relevant in contemporary discussions about extremism and the dangers of absolute conviction.
"The righteous are always the most dangerous, for they have convinced themselves that their cruelty is kindness."
The novel also examines how ordinary people become complicit in systems of oppression, either through active participation or passive acceptance. Abercrombie shows how survival instincts and social pressure can lead individuals to compromise their values gradually, until they find themselves far from their original moral positions without having made any single dramatic choice to abandon their principles.
Literary Style and Language
Abercrombie's prose style in "The Devils" demonstrates a maturity and sophistication that marks his evolution as a writer. His language is precise and economical, avoiding the overwrought descriptions that can burden fantasy literature while still creating vivid and immersive scenes. The dialogue feels natural and character-specific, with each major character possessing a distinct voice that reflects their background, education, and personality.
The author's use of dark humor throughout the novel serves multiple purposes: it provides relief from the often grim subject matter, reveals character traits, and highlights the absurdity inherent in many human conflicts. This humor never undermines the serious themes of the work but rather enhances them by showing how people use humor as a coping mechanism in desperate situations.
Abercrombie's descriptions of violence are notably restrained yet effective. Rather than reveling in graphic detail, he focuses on the psychological and emotional impact of violence on both perpetrators and victims. This approach makes the violent scenes more powerful and meaningful while avoiding gratuitous shock value. The author understands that suggestion and implication can be more effective than explicit description in creating lasting emotional impact.
The novel's imagery often draws from natural and urban decay, reinforcing themes of corruption and moral rot. Abercrombie uses environmental descriptions to reflect the psychological states of his characters and the moral condition of the societies they inhabit. This symbolic use of setting adds depth to the narrative without becoming heavy-handed or obvious.
"In the end, we are all just meat and dreams, and neither lasts as long as we pretend."
The author's handling of internal monologue reveals deep psychological insight, showing how people rationalize their actions and construct narratives to maintain their self-image even when engaging in morally questionable behavior. This technique provides readers with intimate access to character psychology while maintaining the objective stance necessary for readers to form their own judgments about the characters' actions.
Frequently Asked Questions
What is The Devils by Joe Abercrombie about?
The Devils is set in Styria, where the most feared and respected mercenary company, led by the legendary Nicomo Cosca, faces dissolution and disgrace. The story follows Monza Murcatto, known as the Snake of Talins, who is betrayed by her employer Grand Duke Orso and left for dead. Seeking revenge, she assembles a diverse group of allies including the poisoner Castor Morveer, the convict Day, and others to systematically eliminate those who wronged her. The novel explores themes of revenge, corruption, and the cyclical nature of violence in a gritty fantasy world where moral ambiguity reigns supreme.
Do I need to read other First Law books before The Devils?
While The Devils is technically a standalone novel, it significantly benefits from reading the original First Law trilogy first. Many characters from the trilogy appear, including Nicomo Cosca, Caul Shivers, and Morveer, whose backgrounds and motivations are established in earlier books. The political landscape, magical systems, and world-building elements are also more comprehensible with prior knowledge. However, Abercrombie does provide enough context for new readers to follow the story. For the fullest experience and character appreciation, reading The Blade Itself, Before They Are Hanged, and Last Argument of Kings beforehand is recommended.
What is the correct reading order for Joe Abercrombie's First Law series?
The recommended reading order is: first, the original trilogy consisting of The Blade Itself, Before They Are Hanged, and Last Argument of Kings. Then read the standalone novels: Best Served Cold (The Devils), The Heroes, and Red Country. Finally, the Age of Madness trilogy: A Little Hatred, The Trouble with Peace, and The Wisdom of Crowds. This order ensures proper character development and world-building progression. While the standalones can theoretically be read independently, they contain significant spoilers for the original trilogy and feature returning characters whose arcs are better appreciated with full context.
Is The Devils the same as Best Served Cold?
Yes, "The Devils" appears to be an alternative or working title for "Best Served Cold," Joe Abercrombie's first standalone novel in the First Law world. The official published title is "Best Served Cold," released in 2009. This confusion might arise from early promotional materials, international editions, or informal references. The book follows Monza Murcatto's revenge quest in Styria and is widely known and cataloged as "Best Served Cold." When discussing or searching for this book, "Best Served Cold" is the correct and recognized title used by publishers, retailers, and the literary community.
How does Monza Murcatto change throughout the story?
Monza begins as a pragmatic but ultimately loyal mercenary captain who believes in honor among thieves. After her betrayal and near-death experience, she transforms into a ruthless instrument of vengeance, progressively losing her moral compass as she pursues her targets. Initially, she attempts to maintain some ethical boundaries, but each kill hardens her further. By the novel's end, she has become as corrupt and manipulative as those she sought to destroy, illustrating Abercrombie's central theme that revenge transforms the avenger into what they despise. Her physical transformation, marked by her scarred appearance and chronic pain, mirrors her psychological deterioration from idealistic warrior to cynical schemer.
What motivates Caul Shivers in this book?
Shivers arrives in Styria seeking to become a "better man" after the events of the original trilogy, hoping to escape his violent past in the North. Initially, he serves as Monza's conscience and moral anchor, attempting to dissuade her from her revenge quest. However, the brutal realities of Styrian politics and the violence surrounding Monza gradually corrupt him. His motivations shift from genuine moral improvement to cynical acceptance of his nature. The loss of his eye becomes symbolic of his lost innocence and idealism. By the story's end, he embraces his violent tendencies, abandoning his quest for betterment and accepting that he is fundamentally a killer, not a protector.
Why does Castor Morveer work with Monza?
Morveer, the fastidious poisoner, initially joins Monza's cause for practical reasons: steady employment and the opportunity to practice his craft on worthy targets. His meticulous nature and professional pride make him an ideal assassin for Monza's systematic revenge. However, his motivations evolve throughout the story. He develops a complex relationship with his assistant Day and becomes genuinely invested in the success of their mission. Morveer's character represents the professional killer who takes pride in craftsmanship over mere violence. His detailed knowledge of poisons and methodical approach complement Monza's strategic thinking, making him an invaluable asset in her calculated campaign of vengeance against Styria's political elite.
What role does Day play in the group dynamic?
Day serves as both Morveer's assistant and the group's moral compass, though her past as a convict complicates this role. Her relationship with Morveer evolves from subservience to mutual respect and eventual romantic tension. Day often questions the morality of their actions while simultaneously proving herself capable of violence when necessary. She represents the possibility of redemption within the group, maintaining her humanity despite the increasingly dark nature of their mission. Her practical skills and street wisdom complement the others' specialized abilities. Day's character arc explores themes of loyalty, survival, and the possibility of finding love and meaning even in the darkest circumstances.
What does revenge symbolize in The Devils?
Revenge in The Devils represents the corrupting nature of violence and the cyclical perpetuation of evil. Abercrombie uses Monza's quest to demonstrate how the pursuit of justice can transform the pursuer into the very thing they oppose. Each act of vengeance creates new enemies and perpetuates violence rather than ending it. The novel suggests that revenge is ultimately self-destructive, consuming the avenger's humanity while failing to provide the satisfaction or closure they seek. Monza's transformation from honorable mercenary to manipulative schemer illustrates how revenge poisons the soul. The book's title references the proverb "revenge is a dish best served cold," questioning whether calculated vengeance is truly superior to hot-blooded violence.
How does Abercrombie explore the concept of power in this novel?
Power in The Devils is portrayed as inherently corrupting and ultimately meaningless. The Styrian nobles who betrayed Monza are shown as petty, venal, and weak despite their positions of authority. Their power comes from manipulation, fear, and inherited privilege rather than competence or virtue. Monza's quest reveals how easily this power can be undermined by someone with determination and the right allies. The novel suggests that true power lies not in titles or wealth but in the ability to inspire loyalty and fear. However, even this power corrupts, as Monza becomes increasingly ruthless in wielding it. Abercrombie demonstrates that power structures are fragile and that those who seek power often become unworthy of it.
What is the significance of the Styrian setting?
Styria represents a decadent, politically fragmented region where corruption and backstabbing are normalized. Unlike the more straightforward conflicts of the North or the Union, Styria's city-states engage in complex webs of alliance and betrayal that mirror the novel's themes. The setting's Mediterranean-inspired culture contrasts with the grimmer northern territories, yet proves equally brutal beneath its civilized veneer. The fragmented nature of Styrian politics allows for the kind of revenge plot Monza pursues, as loyalties constantly shift and power structures remain unstable. The setting emphasizes that corruption and violence are universal human traits, not limited to any particular culture or region. Styria's beauty masks its moral decay, reflecting the novel's exploration of appearance versus reality.
How does The Devils fit into Abercrombie's broader critique of fantasy tropes?
The Devils continues Abercrombie's deconstruction of fantasy conventions by subverting the revenge narrative. Instead of a righteous hero seeking justice, Monza becomes increasingly villainous throughout her quest. The novel challenges the idea that violence can solve problems or that revenge provides satisfaction. Traditional fantasy's clear moral distinctions are replaced with complex moral ambiguity where everyone is complicit in cycles of violence. The mercenary company, typically romanticized in fantasy, is shown as a collection of broken, desperate individuals. Even magic, through Morveer's alchemy and poisons, is portrayed as another tool for violence rather than wonder. Abercrombie demonstrates that fantasy's traditional narratives of heroism and justice are naive when applied to realistic human psychology and political complexity.
What is the role of violence in the novel's moral framework?
Violence in The Devils is presented as a corrupting force that perpetuates itself regardless of initial justifications. The novel argues that violence, even when seemingly justified, transforms both perpetrator and victim in destructive ways. Monza's campaign begins with understandable motivations but evolves into senseless brutality that serves no higher purpose. Abercrombie suggests that violence creates more problems than it solves, as each act of revenge generates new conflicts. The detailed, unglamorous descriptions of violence strip away any romantic notions about combat or killing. Characters who embrace violence, like Shivers, lose their humanity in the process. The novel's moral framework suggests that while violence may sometimes be necessary for survival, it should never be celebrated or pursued as a solution to complex problems.
How does Abercrombie portray friendship and loyalty in this dark world?
Friendship and loyalty in The Devils are complicated by self-interest and survival needs, yet genuine connections still emerge. The relationship between Morveer and Day evolves from professional necessity to genuine care, suggesting that human connection can survive even in brutal circumstances. Monza's relationships with her allies are transactional at first but develop into something resembling friendship, though always tinged with mutual wariness. Shivers' loyalty to Monza becomes increasingly strained as her moral decline accelerates. The novel suggests that while pure loyalty may be naive in a corrupt world, the human need for connection remains powerful. True friendship in Abercrombie's world requires accepting others' flaws while maintaining personal boundaries. The book demonstrates that loyalty must be earned and maintained rather than simply expected or commanded.
Is The Devils primarily a revenge story or a political thriller?
The Devils functions as both a revenge story and a political thriller, with each element reinforcing the other. While Monza's personal quest for vengeance drives the plot, the story is deeply embedded in Styrian political machinations. Her targets aren't just personal enemies but key political figures whose deaths destabilize the region. The novel uses the revenge framework to explore broader themes about power, corruption, and political violence. Each assassination has political ramifications that extend beyond personal satisfaction. The book demonstrates how personal grievances and political conflicts intertwine, with individual acts of violence serving larger political purposes. Abercrombie uses the revenge plot to examine how political systems perpetuate violence and how personal motivations can be manipulated by larger forces seeking power.
What literary techniques does Abercrombie use to create moral ambiguity?
Abercrombie employs multiple perspectives to show how the same events can be interpreted differently by various characters, preventing readers from settling on simple moral judgments. He provides sympathetic backstories for antagonists while revealing the dark motivations of protagonists. The author uses dramatic irony, allowing readers to see consequences that characters cannot, highlighting the futility of their actions. Internal monologues reveal the gap between characters' self-justifications and their actual motivations. Abercrombie also employs gradual character transformation, showing how good intentions can lead to evil outcomes through seemingly logical steps. The realistic consequences of violence strip away romantic notions about heroism. By avoiding clear heroes and villains, the novel forces readers to grapple with complex moral questions without easy answers.
How does the novel critique the glorification of war and violence?
The Devils systematically dismantles romantic notions about warfare and violence through unglamorous, realistic depictions of combat and its aftermath. Characters suffer lasting physical and psychological damage from violence, with no clean healing or heroic recovery. The mercenary company is portrayed as a collection of broken individuals rather than noble warriors. Combat scenes emphasize confusion, pain, and terror rather than glory or honor. The novel shows how violence perpetuates itself, creating cycles of revenge that benefit no one. Characters who embrace violence become less human, losing empathy and moral reasoning. Abercrombie demonstrates that violence is a tool of the desperate and broken rather than the heroic. The book argues that societies that glorify violence inevitably become corrupted by it, as seen in Styria's political culture.
What makes The Devils stand out in the grimdark fantasy subgenre?
The Devils distinguishes itself through Abercrombie's sophisticated character development and moral complexity rather than relying solely on graphic content for impact. While maintaining the grimdark tradition of moral ambiguity and realistic violence, the novel focuses on psychological transformation and the internal logic of character decisions. Abercrombie's prose combines dark humor with genuine pathos, creating moments of levity that enhance rather than undermine the serious themes. The book avoids nihilistic hopelessness by showing genuine human connections and the possibility of change, even if that change isn't always positive. The political intrigue is more sophisticated than simple power struggles, reflecting real-world complexity. The novel's exploration of revenge goes beyond surface-level violence to examine the psychological and social costs of vengeance, making it a thoughtful contribution to the subgenre.
How does the ending of The Devils reflect its central themes?
The ending of The Devils perfectly encapsulates the novel's themes about the corrupting nature of revenge and the cyclical perpetuation of violence. Monza achieves her immediate goals but finds herself transformed into the very type of person she originally opposed. Her victory is hollow, providing no satisfaction or closure while setting up future conflicts. The conclusion demonstrates that revenge doesn't heal wounds but creates new ones, as Monza's actions have destabilized Styria and created new enemies. Characters who sought redemption or betterment find themselves worse than when they started. The ending suggests that while individuals can change, they often change for the worse when they embrace violence and manipulation. The novel concludes that the pursuit of justice through vengeance ultimately serves only to perpetuate injustice, creating an endless cycle of violence and betrayal.
What does The Devils say about the nature of justice versus revenge?
The Devils argues that revenge masquerades as justice but serves fundamentally different purposes and achieves different outcomes. Justice seeks to restore balance and prevent future harm, while revenge satisfies personal grievances without concern for broader consequences. Monza's quest begins with legitimate grievances but evolves into a campaign that destabilizes an entire region for personal satisfaction. The novel suggests that true justice requires institutional frameworks and moral constraints that revenge explicitly rejects. Characters justify their actions using the language of justice while pursuing purely selfish goals. The book demonstrates that revenge often punishes the innocent alongside the guilty, as seen in the collateral damage from Monza's assassinations. Abercrombie implies that the desire for revenge is natural but ultimately destructive, while genuine justice requires sacrifice of personal satisfaction for the greater good.